How to Find a Literary Agent for Your Children’s Books

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What does Literary Agent do?

Literary agents serve as business-minded liaisons between authors and publishing firms. Literary agents promote their clients’ professional careers and sell them to the right persons.

If you search for a literary agent for your Children’s Books, you are at the right place. Here’s how you can find an agent that will sell your children’s book to a publisher ethically and properly develop and market your work.

How to Find a Literary Agent for Your Children’s Books

Research of agents and firms

If you don’t know any agents for your Children’s Books or can’t acquire references, you’ll have to research utilizing internet agency listings.

These directories provide the names, locations, and phone numbers of agents and agencies. Moreover, you get extensive information about the kind of books they represent.

Find an agency that seems to suit your requirements,

  1. collect their contact information,
  2. check whether they accept unsolicited (unrequested) submissions,
  3. then contact them if they do.

When browsing agencies, keep in mind that you should only look at agencies specializing in Children’s Books and literature.

Here are some top literary agencies that will help you:

• Writers House (New York, NY)

• Adams Literary (Charlotte, NC)

• Pippin Properties (New York, NY)

• The Bent Agency (New York, NY)

• Andrea Brown Literary Agency (Palo Alto, CA)

• Folio Literary Management (New York, NY)

• Stimola Literary Studio (Edgewater, NJ)

• Nelson Literary Agency (Denver, CO)

• Foundry Literary + Media (New York, NY)

• Greenhouse Literary Agency (Fairfax, VA)

• New Leaf Literary & Media (New York, NY)

• Trident Media Group (New York, NY)

• Erin Murphy Literary Agency (Windham, ME)

• Barry Goldblatt Literary (Brooklyn, NY)

• Harvey Klinger (New York, NY)

• Inkwell Management (New York, NY)

• (New York, NY)

• Curtis Brown (New York, NY)

• The Knight Agency (Madison, GA)

• Dystel & Goderich Literary Management

• Sanford J. Greenburger Associates (New York, NY)

• International Creative Management – ICM (New York, NY)

• Liza Dawson Associates (New York, NY)

• Jill Grinberg Literary Management (Brooklyn, NY)

• Donald Maass Literary Agency (Brooklyn, NY)

• Irene Goodman Agency (New York, NY)

• Sandra Dijkstra Literary Agency (Del Mar, CA)

• Jean V. Naggar Literary Agency (New York, NY)

• Bradford Literary Agency (San Diego, CA)

• Laura Dail Literary Agency (New York, NY)

• Rodeen Literary Management (Chicago, IL)

• Upstart Crow Literary (New York, NY)

• Marsal Lyon Literary Agency (Solana Beach, CA)

• Scovil Galen Ghosh Literary Agency (New York, NY)

• Lippincott Massie McQuilkin (New York, NY)

• Park Literary Group (New York, NY)

• Nancy Coffey Literary & Media Representation (New York, NY)

• Stonesong (New York, NY)

• Sterling Lord Literistic (New York, NY)

• Janklow & Nesbit (New York, NY)

• Catbird Productions (New York, NY)

• Wolf Literary Services (New York, NY)

• Firebrand Literary (New York, NY)

• Emerald City Literary Agency (Enumclaw, WA)

• Triada US Literary Agency (Sewickley, PA)

• East-West Agency (Santa Monica, CA)


These are the most successful Children’s Books agents (most powerful at the top). They are experts in their fields and provide the best ghostwriting. You can contact them through Children’s Books agencies.

  • Holly McGhee (Pippin Properties)
  • Rosemary Stimola (Stimola Literary Studio)
  • Sarah Davies (Greenhouse Literary Agency)
  • Laura Rennert (Andrea Brown Literary Agency)
  • Sara Crowe (Pippin Properties)
  • Kristin Nelson (Nelson Literary Agency)
  • Brianne Johnson (Writers House)
  • Ammi-Joan Paquette (Erin Murphy Literary Agency)
  • Ted Malawer (Upstart Crow Literary)
  • Rebecca Sherman (Writers House)
  • Pete Knapp (Park & Fine Literary and Media)
  • Gemma Cooper (The Bent Agency)
  • Molly Ker Hawn (The Bent Agency)
  • Russell Galen (Scovil Galen Ghosh Literary Agency)
  • Richard Abate (3 Arts Entertainment)
  • Cathy Hemming (Cathy D. Hemming Literary Agency)
  • Jill Grinberg (Jill Grinberg Literary Management)
  • Alice Tasman (Jean V. Naggar Literary Agency)
  • Corinne Marotte (L’Autre Agence)
  • Michael Stearns (The Inkhouse)
  • Ginger Clark (Curtis Brown)
  • Beth Phelan (Gallt and Zacker Literary Agency)
  • Caitlin Blasdell (Liza Dawson Associates)
  • Merrilee Heifetz (Writers House)
  • Josh Bank (Alloy Entertainment)
  • Stacia Decker (Dunow, Carlson & Lerner)
  • Alyssa Eisner Henkin (Trident Media Group)
  • Anna Olswanger (Olswanger Literary)
  • Paul Rodeen (Rodeen Literary Management)
  • Robert Gottlieb (Trident Media Group)
  • Penny Moore (Aevitas Creative Management)
  • Alexandra Machinist (ICM)
  • Susan Hawk (Upstart Crow Literary)
  • Catherine Drayton (Inkwell Management)
  • Helen Breitwieser (Cornerstone Literary)
  • Jennifer Laughran (Andrea Brown Literary Agency)
  • Amy Berkower (Writers House)
  • Charlie Viney (Viney Shaw Agency)

Get recommendations for a children’s book agent.

Authors satisfied with their agencies are typically glad to recommend them to you. So ask a children’s book author who his agent is, whether he’s satisfied with them and if he can create an introduction for you the next time you’re talking with him. Or, if you’ve already discovered an agent you like, get a list of customers you may call for feedback before signing anything.

If you don’t know any children’s book writers, think about alternative ways to get recommendations.

  • Do you know anybody who works for a reputable literary agency?
  • Do you have a friend, cousin, or acquaintance that does?
  • Or do you frequent online communities where people discuss their experiences publishing children’s books?
  • Do you ever attend writing seminars given by bestselling children’s authors?

If that’s the case, approach people you meet who already have an agency.

Although literary agencies are companies, very few advertise in the classic sense. An agent’s face is unlikely to appear on a highway billboard or in a television commercial, even modest advertising in the back of a writer’s magazine. To find new writers, agencies depend on word-of-mouth advertising and recruitment efforts.

Participate at conferences.

Some agencies even finance agents’ attendance at conferences and seminars to uncover bright new talent. Because you may be that bright new talent, you should consider attending writers’ conferences with the sole intention of meeting an agent. Here’s how to improve your chances of meeting a great agent at a conference:

  • Look at the agendas and participant lists for writers’ conferences or workshops to see whether agents will be there. And keep a few copies of your Children’s Books with you if any agent gets impressed by you and asks to see your manuscript.
  • Make contact with the agent by e-mail before the conference to let them know you’re looking for a minute of her time to introduce yourself. This will give you an advantage over the competitors. Be patient, courteous, and persistent – you’ll have your chance to make your pitch eventually.
  • Because agents who attend conferences and seminars are generally in high demand, it may be challenging to corner one to make your pitch. They might be moderating roundtable conversations or giving lectures and being pitched by other writers.


To make work easy for you, articles contain the list of top agents and agencies. They are well-versed in the publishing sector and have an extensive understanding of the field. However, you need to work yourself too. You need to research, make recommendations, and participate in seminars to find the best Children’s Books agents for you.

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